A Confederacy of Dunces
A Streetcar Named Desire

The Ones Who Don’t Say They Love You

Maurice Carlos Ruffin has an uncanny ability to reveal the hidden corners of a place we thought we knew. These perspectival, character-driven stories center on the margins and are deeply rooted in New Orleanian culture.

In “Beg Borrow Steal,” a boy relishes time spent helping his father find work after coming home from prison; in “Ghetto University,” a couple struggling financially turns to crime after hitting rock bottom; in “Before I Let Go,” a woman who’s been in NOLA for generations fights to keep her home; in “Fast Hands, Fast Feet,” an army vet and a runaway teen find companionship while sleeping under a bridge; in “Mercury Forges,” a flash fiction piece among several in the collection, a group of men hurriedly make their way to an elderly gentleman’s home, trying to reach him before the water from Hurricane Katrina does; and in the title story, a young man works the street corners of the French Quarter, trying to achieve a freedom not meant for him.

These stories are intimate invitations to hear, witness, and imagine lives at once regional but largely universal, and undeniably New Orleanian, written by a lifelong resident of New Orleans and one of our finest new writers.

More Adult, Non-Juvenile Books

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  • The Hunter unfolds in a small Irish village where former Chicago PD officer Cal Hooper seeks peace but finds himself entangled in a conflict involving a reappearing father and a gold-seeking scheme. As Cal and his partner Lena strive to protect a troubled teenager from the looming threat, the lines between safeguarding and revenge blur, challenging their relationships and their morals.

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  • Matt Daly’s lineage links back to Puritans from the early colonial period who helped set the course toward many of the destructive and shameful practices that Anglo-American culture has enacted on people and ecosystems around the world. The Invisible World strives to address this history, not to redress its wrongs, but at least to face them in the hope of making sense of how we might live beyond their influence. Exploring the writings of his ancestor, Matt saw an articulation of wildness as the habitat for evil. The American continent was cast as a place to be purged of its darkness. [...]